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The coolest, best, greatest, virtually iconic, most famous anthology covers of all-time. It doesn't actually matter what sort of describing word yous want to put it in front of the words "album cover," considering lists of this sort of are always incredibly subjective. What we can say for sure, though, is that anthology covers are vitally of import to how a record is received by the public. (It's hard to imagine Sgt. Pepper'south with the embrace to the White Album and vice versa.) Even in today'due south digital age, a absurd record encompass tin have a huge impact. (Artists as varied every bit Immature Thug and Glass Animals can attest to that.) So, without further ado, here is our pick of only 100 of the greatest record covers of all-time.
100: The Flamin' Groovies: Supersnazz (blueprint by Cyril Jordan)
Bandleader Cyril Jordan's terrific comic fine art has turned up on numerous The Flamin' Groovies covers and posters over the decades. On their 1969 debut, the cavorting characters were at that place to remind yous how much fun rock'due north'roll was supposed to be.
99: The Bee Gees: Odessa
If The Beatles could do a double "White Album," the Bee Gees could do a fuzzy red ane. The red velvet cover, with gold embossed lettering, served notice that Odessa was going to exist unique and beautiful, which it was.
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98: The Rolling Stones: Beggars Banquet (blueprint by Barry Feinstein)
Beggars Banquet is a rare case where an album's two famous covers really complement each other. Put the notorious bathroom cover together with the engraved invitation on the The states replacement, and you've got the yin and the yang of The Rolling Stones at the fourth dimension.
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97: Ol' Dirty Bastard: Render to the 36 Chambers: The Dirty Version (blueprint by Alli Truch, photo past Danny Clinch)
Whenever hip-hop started to have itself besides seriously, ODB was there to disrupt, agitate, and requite the middle finger to convention. Forgoing any blinged-out tropes, the former Wu-Tang fellow member put a doctored version of his welfare ID card on the front cover of his solo debut, equally both a reminder of where he came from and to destigmatize being on public help. As he rapped on Wu-Tang's "Canis familiaris Sh_t,": "Got meals but even so grill that former proficient welfare cheese."
96: Nick Lowe: Jesus of Cool/Pure Pop for Now People (blueprint by Barney Bubbles)
On an album that fabricated a mad dash through the whole of pop history, Nick Lowe pictured himself in a bunch of unlike guises, from rockabilly hoodlum to sensitive balladeer (at that place were dissimilar pics on the US and Britain versions), all with natural language firmly in cheek.
95: Jefferson Airplane: Long John Silverish (design by Pacific Center & Ear)
Jefferson Airplane's Long John Silvery hails from the golden age of elaborate anthology covers. Since people were already using LPs to store and clean marijuana, the Airplane gave yous a paper-thin box holder for it, along with the pot, or at least a realistic-looking photo.
94: Billie Eilish: When Nosotros All Fall Asleep, Where Do We Go? (design by Kenneth Cappello)
Any artist who dares to await this terrifying on the cover of their commencement album deserves all the platinum success they become. Inspired by the album's themes of the subconscious, the dark sleeve of Billie Eilish's When We All Fall Asleep, Where Do Nosotros Go? served detect that Eilish was here to mess with your head.
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93: Parliament: Mothership Connection (photograph by David Alexander, design past Gribbitth)
George Clinton's gonzoid take on outer-space adventure establish its perfect lucifer in the effortlessly cool spaceship-party embrace for Parliament'south Mothership Connection . The fact that information technology looked remarkably low budget only fabricated information technology funkier.
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92: Geto Boys: We Can't Be Stopped (design by Cliff Blodget)
Walking a razor-sparse line between exploitation and cultural commentary was the Geto Boys' modus operandi, and zip exemplified this dynamic more their famous 1991 album cover art. The graphic photo of Bushwick Bill at the hospital was equally unflinching as their music.
91: The Cars: Candy-O (design by Alberto Vargas)
Alberto Vargas was already the most famous pin-upwards artist before designing the famous encompass for The Cars classic 1979 album Candy-O, simply this painting of a stylish redhead, on a automobile of grade, became his almost famous slice. Candy-O is ane of the two best uses of pin-up art on a stone tape, forth with…
90: Courtney Dear: America's Sweetheart (design past Olivia De Berardinis)
For her debut solo album, Courtney Love took the Cars' concept a step further by enlisting the younger, edgier pin-upwardly artist (known professionally as Olivia) to paint her. Of course, it got an extra dimension by playing with Love's own epitome at the time.
89: The Rolling Stones: Their Satanic Majesties Request (design by Michael Cooper)
The Rolling Stones probably couldn't vanquish the Beatles for a psychedelic album in 1967, but they arguably had the cooler album cover, the get-go 3D sleeve in rock. X points if y'all can find where the Beatles are hiding in the 3D image on Their Satanic Majesties Request.
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88: Public Image Ltd: The Flowers of Romance
PiL's follow-up to their famous Metal Box album cover was fifty-fifty cooler, showing non-performing bandmember Jeanette Lee with a rose in her teeth, a weapon in her mitt, and a murderous look in her eyes.
87: The Velvet Underground: The Velvet Hugger-mugger & Nico (design past Andy Warhol)
It was weird, it was witty, it was Warhol. The famous minimalism of The Velvet Underground & Nico peel-away banana album encompass became an influence on punk visual fashion many years later and remains one of the greatest anthology covers.
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86: The Miracles: Hi, We're The Miracles (design by Wakefield & Mitchell)
The cool album embrace for The Miracles' 1961 debut encapsulates the onetime-schoolhouse showbiz that Motown would soon atomic number 82 the globe abroad from. Just it's and so cheerful that you still have to beloved information technology.
85: The Go-Gos: Beauty & the Beat out (design by Ginger Canzoneri, Mike Doud, Mick Haggerty, Vartan)
The Go-Become'due south sense of playful subversion extended to their sendup of glamorous encompass photos on their hit debut, Beauty & The Beat . Information technology was their party; you could join if they let y'all.
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84: Dr. Dre: The Chronic (design past Michael Benabib)
This famous album cover did wonders with its simple strategy. On his Dr. Dre's solo debut The Chronic , the blueprint assumed that Dre was already an icon and presented him appropriately.
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83: Quincy Jones: The Dude (design by Fanizani Akuda)
Jeff Bridges' got nothing on the original "The Dude," the effortlessly cool and quixotic album comprehend character that appears on Quincy Jones' genre-blending solo debut. Q always had an ear for talent – as his cross-cultural LP proved – but he too had an eye for blueprint. (He spotted the eponymous "Dude" statue at an fine art gallery and took it home for inspiration.)
82: Cocteau Twins: Heaven or Las Vegas (design by Paul West)
The pattern-centric 4AD label did some of its finest work for the Cocteau Twins album covers. This shimmering image is undeniably beautiful, withal you never know just what it means…just similar their music.
81: James Brown: Hell (design past Joe Belt)
Arriving one yr after his milestone album The Payback , Brown delivered the double-album Hell, which chosen out societal ills both on record and on the elaborately illustrated cover. Designed by artist Joe Belt, who fabricated his name capturing the characters of the Wild West, Belt trained his aim on another dark affiliate of American history, depicting fallen soldiers, addicts, and an imprisoned populace. One of the most famous funk album covers ever.
80: Slayer: Reign in Blood (blueprint by Larry Carroll)
Ane of the greatest metal covers ever designed, designer Larry Carroll packed a thousand nightmares into this Bosch-like painting for Slayer's thrash masterpiece Reign in Blood , which influenced metal imagery for decades to come.
79: Rex Crimson: In the Court of the Crimson King (design by Barry Godber)
Robert Fripp saw this dramatic painting after In the Courtroom of the Crimson King was completed and knew it perfectly suited the music, with the crazed cover effigy as the 21st century schizoid human. Sadly, the artist passed away only months afterwards.
78: Moby Grape: Wow (blueprint by Bob Cato)
1 of the psych era's great hallucinations, the famous album encompass for Moby Grape'southward 1968 double LP Wow showed an otherworldly landscape with the world's largest agglomeration of grapes. Wow indeed.
77: Kayne Westward: Yeezus (design by Kanye West and Virgil Abloh)
One of the almost famous album covers of contempo vintage. Kanye West brings the minimalist "White Album" concept to the CD era. You could also see Yeezus as the final commemoration of the concrete CD before it disappeared.
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76: Elvis Presley: fifty,000,000 Elvis Fans Can't Be Wrong (pattern by Bob Jones)
Ultra-cool Elvis (in his shiny gilt Nudie suit) gets multiplied in one of the nigh enduring early 60s images and greatest anthology covers. If there are that many Elvis fans, we volition, of form, need fifteen Elvises.
75: Blackness Flag: My State of war (pattern by Raymond Pettibon)
Black Flag'southward trailblazing punk-metal wouldn't have been the aforementioned without Pettibon's grisly comic images, though in this instance, non quite as grisly as the album itself.
74: Talking Heads: Speaking in Tongues (design past Robert Rauschenberg)
The brainchild of the Talking Heads' cute, moving-parts cover for their 1983 tape Speaking in Tongues couldn't have improve represented the music within. Information technology would have been rated college if the affair wasn't so tough to shop.
73: The Mothers of Invention: We're But In It for the Coin (pattern by Cal Schenkel)
Frank Zappa wrapped his skewering of hippie culture We're Only In Information technology for the Money in an equally vicious parody of the famous Sgt. Pepper album cover to corking success.
72: The Pogues: Peace and Love (design by Simon Ryan)
I of the greatest joke album covers, the boxer was already a perfect prototype for the Pogues, but don't miss the subtle bit of play here. (The word "peace" of class has 5 letters.)
71: Rush: Moving Pictures (design by Hugh Syme)
Blitz'southward greatest anthology covers expressed both their yard concepts and their cognitive sense of humor. In this staged cover for Moving Pictures , which features many of the characters from the songs, we discover at least three different visual plays on the anthology's title.
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lxx: The Beatles: Abbey Road (design past John Kosh)
As it turns out, The Beatles were just too lazy to get to Mt. Everest – yeah, that was the original plan – so they came upward with something only as memorable past leaving the studio and crossing the street, resulting in the famous Abbey Route album cover. It's since gone done every bit one of the greatest of all time.
69: Marvin Gaye: I Want You (design by Ernie Barnes)
All of Marvin Gaye's cool album covers are works of art in a way, only Ernie Barnes's 'Saccharide Shack,' which graces the cover of I Desire You , is the simply one currently hanging in a museum. Barnes's sensual figures and jubilant dancers reflected the lecherous nature of Gaye's 1976 album.
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68: Joe Jackson: I'm the Man (design past Michael Ross)
At that place's plenty of punk attitude on Joe Jackson'south anthology cover for I'm the Human being, where he portrays the hero of the championship song – a sleazy grapheme who'll sell you annihilation – as long every bit you lot don't really need it.
67: The Beatles: Yesterday and Today (design by Robert Whitaker)
Okay, so it was a lilliputian graphic and provocative, but equally the unmarried well-nigh controversial matter The Beatles ever did (and the most expensive for an original), the cover of Yesterday and Today surely earns a place on a list of the greatest album covers.
66: Alice Cooper: School'south Out (design by Craig Braun)
There were most as many copies of Alice Cooper'due south School'south Out in 1970s high schools every bit in that location were bodily school desks. Ten points if you got the original with the underwear inner sleeve.
65: Aerosmith: Depict the Line (design by Al Hirshfeld)
Anyone who went to plays or read the New York Times in the 70s will recognize the piece of work of the line-drawing caricaturist Al Hirschfeld, who did his magic on Aerosmith's members here. Every bit always, his daughter Nina's proper noun was subconscious a few times in this famous anthology comprehend.
64: Eric B. & Rakim: Paid in Full (pattern by Ron Contarsy)
Between the rappers' Gucci-mode outfits and the piles of money in the background, the cover for Eric B. and Rakim's sophomore anthology Paid in Full said it all about going bigtime in 1987 and is considered one of the greatest album covers in hip-hop.
63: Joy Sectionalisation: Unknown Pleasures (pattern by Peter Saville)
The cover of Joy Partition's 1979 debut record is an bodily depiction of radio waves. This stark black-and-white cover became and so iconic that it'south now worn proudly on T-shirts past teens who've never heard of the band.
62: Funkadelic: Maggot Encephalon (photo by Joel Brodsky, design past The Graffiteria/Paula Bisacca)
P-funk's wild fusion of funk, surrealism, and pop art extended beyond music, resulting in some of the most provocative LP covers of the era. Model Barbara Cheeseborough's screaming visage on the encompass captured the swirling chaos of the 70s and searing funk-rock of Maggot Brain.
61: Family: Fearless
Ah, the days when bands had the coin to carry out their wildest ideas. The cover for the British prog-rock outfit Family's 1971 anthology is a multi-foldout extravaganza and features an early computer graphic, calculation the individual band photos to each other until they become the pretty blur at peak right.
60: The Beatles: Run across the Beatles! (design by Robert Freeman)
The somber, shadowed photo featured on both the Us and UK anthology version of Meet The Beatles! was merely the contrary of the grin motion-picture show that everybody expected to see, and the first of many bear-overs from the Beatles' fine art-school days.
59: Pink Floyd: Ummagumma (design past Hipgnosis)
Most of Pink Floyd'due south covers would be in the running for a list of the greatest anthology covers, but we wanted to highlight something that wasn't Dark Side of the Moon. This outburst of Storm Thorgerson / Hipgnosis imagination features four versions of the same photo (except that the band rotates 1 position in each), matching their sense of surrealism.
58: Metallica: …And Justice For All (pattern by Stephen Gorman)
Metallica's trademark mix of shock value and social commentary had few better expressions than this paradigm of a modern take on Lady Justice for their famous 1988 anthology cover to …And Justice For All .
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57: The Mamas & The Papas: If You Can Believe Your Eyes and Ears (pattern by Guy Webster)
With all four bandmembers together in a bathtub, the cover said more about The Mamas & The Papas than what was probably intended. The toilet on the original cover of If You Can Believe Your Eyes and Ears also proved to be a no-no in 1966.
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56: Madonna: Madonna (design by Carin Goldberg)
All of Madonna'due south anthology covers are striking in their own way, but there'southward something special about her 1983 self-titled debut. She looks like she can run into everything that'southward going to happen to her in the next 40 years.
55: 10cc: X Out Of ten (design by Hipgnosis)
The cover for Ten Out Of 10 remains one of Hipgnosis' fiendishly clever 10cc covers and ane of their more than overlooked albums. Here they're on the tenth floor of a hotel standing at the precipice, and only ane of the guys seems concerned about it.
54: Thelonious Monk: Hole-and-corner (photo past Horn Grinner Studios; art direction/blueprint: John Berg and Richard Mantel)
A nod to how Thelonious Monk must've felt as a pioneering jazz artist, Hole-and-corner casts the pianist as a French Resistance fighter in WWII. Columbia Records art director John Berg was responsible for iconic covers similar Bob Dylan's Greatest Hits and Bruce Springsteen'south Born To Run, but this was probable one of his more expensive: They built an unabridged set, complete with costumed extras, to create Monk'south arresting album cover.
53: Led Zeppelin: Led Zeppelin 2 (design past David Juniper)
It was an art-school friend of Jimmy Page'southward who created this mythic encompass by superimposing the bandmembers over a famous shot of WWI German fighter pilot the "Red Baron" and his coiffure. Many Americans wondered what Lucille Ball was doing at that place simply it was actually French actress Delphine Seyrig.
52: The Modest Faces: Ogden'southward Nut Gone Flake (design past Nick Tweddell and Pete Brown)
One of the outset round covers, the tobacco-tin pattern for this psychedelic gem stood out in the racks and prepared you for the cheerful surrealism of the album'due south main suite.
51: Dave Mason: Alone Together (design by Barry Feinstein and Tom Wilkes)
This album encompass was more than of a multimedia assemblage, incorporating the die-cut edges and the marble-swirled disc into the overall design and giving an instant visual image to the top-hatted Dave Mason.
50: Elton John: Don't Shoot Me I'm Only the Piano Actor (pattern by David Larkham and Michael Ross)
Some of Elton's greatest anthology covers were a bit splashy, others a trivial somber. The i for Don't Shoot Me I'm Only the Piano Player was but right, drawing from his before long-to-exist-legendary dear of movies.
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49: Ian Dury: New Boots and Panties!! (design by Barney Bubbling)
One of many dandy Potent Records album covers, this caught Ian Dury's personality and stood in stark dissimilarity to the elaborate sleeves on the market at that time. Barney Bubbling also did the handwritten notes, frequently mistaken for Dury'south.
48: Dave Brubeck: Fourth dimension Out (encompass by Neil Fujita)
Dave Brubeck'due south 1959 album Time Out is likely the near famous use of pop art on a jazz cover. In this example, the interlocking geometric shapes are a visual respond to the anthology's innovative fourth dimension signatures.
47: Wendy Carlos: Switched-On Bach (design by Chika Azuma)
Sporting a photo of JS Bach with a Moog synthesizer, Wendy Carlos' pioneering electronic album Switched-On Bach was different anything people had seen (or heard) before in 1968. Equally the start classical anthology to go platinum in America, Carlos helped to bring Bach… to the time to come. Heighten your hand if y'all also idea the cat was a head of lettuce.
46: Pink Floyd: Animals (design by Hipgnosis)
Not every band would fly a pig over Battersea Power Station, just few other bands would brand an album that absolutely chosen for it.
45: Hüsker Dü: Warehouse: Songs and Stories (pattern by Daniel Corrigan, Hüsker Dü)
The album cover for Hüsker Dü's final studio album is i of those cases where a cover is exactly like the anthology: vivid, colorful and jarring in a welcoming way.
44: Chelsea Wolfe: Hiss Spun (design by John Crawford)
Similar all goth-influenced artists, Chelsea Wolfe has a stiff sense of the dramatic. The coiled-up body on the encompass of her 2017 album embodies all the personal changes the songs deal with.
43: Blondie: Parallel Lines (pattern by Ramey Communications)
The keen matter about the famous Blondie Parallel Lines anthology embrace isn't just the black-and-white composition but the way Debbie Harry (the only one not smiling) exudes power, while all the guys expect a bit goofy.
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42: Utopia: Swing to the Right (blueprint past John Wagman)
This Reagan-era concept album makes its visual point by using a photo of Beatles records being burned that followed John Lennon's "more popular than Jesus" remarks. But in this instance, the photo is a Mobius strip, and the album they're burning is the very one they're standing in.
41: Taylor Swift: 1989 (pattern past Austin Hale and Amy Fucci)
On a throwback-themed album, Taylor Swift presents an old Polaroid of herself, only incomplete and out of focus. The mysterious image on 1989 'due south cover was an easy one for her fans to copy, and they did.
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40: Humble Pie: Rock On (design by John Kelly)
Why in the world did Humble Pie go a bunch of policemen to form a human being pyramid? Because they could, of course.
39: The Rascals: Once Upon a Dream (design past Dino Danelli)
One of the many imaginative trips from the late 60s, this assemblage – by the band's drummer – represents diverse personal dreams of the band members.
38: PJ Harvey: To Bring You My Love (design past Valerie Phillips)
It may be a more glamorous comprehend later her outset two, just this photo of PJ Harvey – in which she could easily exist mistaken for Shakespeare's Ophelia – implied that a newer, softer image comes at a toll.
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37: Haven: Definitely Maybe (design past Brian Cannon)
Their debut album pictured Haven in the world's coolest crash pad, showing every ring of the era how it ought to be living.
36: Grace Jones: Island Life (design past Jean-Paul Goude)
Graphic designer and art director Jean-Paul Goude met his lucifer, and his muse, with Grace Jones. Goude's visual re-imagining of the androgynous vocaliser led to some of the all-time anthology covers in music history, from Nightclubbing to Slave to the Rhythm and the arabesque grandeur of Isle Life. "It looked right to me and how I felt," said Jones. "Athletic, artistic, and conflicting."
35: A Tribe Chosen Quest: Midnight Marauders (photo by Terrence A Reese, design past Nick Gamma)
Like a proto XXL "Freshman Class", the iii alternate covers of A Tribe Call Quest'due south classic tertiary anthology Midnight Marauders featured a collage of 71 hip-hop personalities from Afrika Bambaataa to the Beastie Boys, like the Sgt Pepper of hip-hop. Concepted by Q-Tip, the Afrocentric cover came to fruition with the help of Nick Gamma, the former art director at Jive Records.
34: Fleetwood Mac: Rumours (design past Desmond Strobel)
Stevie Nicks and Mick Fleetwood looked impeccably fashionable doing whatever information technology was they were doing on the famous Rumours album encompass. Information technology'southward fair that the comprehend was a little mysterious since the songs revealed everything else.
33: Steely Dan: Pretzel Logic (blueprint past Raeanne Rubenstein)
Though Steely Dan was long associated with Los Angeles, the cover for Pretzel Logic (really shot at Fifth Avenue and 79th Street) looks, feels, and tastes like New York.
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32: Smashing Pumpkins: Adore (blueprint by Yelena Yemchuk)
Bully Pumpkins' anthology covers were ofttimes softer and prettier than the music, but this cover (created by Billy Corgan'southward and so-girlfriend) is the perfect translation of the obsessively romantic theme of Adore.
31: Ohio Players: Climax (design past Joel Brodsky)
All the Ohio Players covers were legendary, and the early Westbound ones were considerably more daring than the hitting-era ones for Mercury. As the band frequently claimed, fewer people would accept bought the albums if they'd put themselves on the covers.
thirty: The Louvin Brothers: Satan is Real (design by Ira Louvin)
Modern death metal bands got aught on country duo The Louvin Brothers, who went to the inferno in 1959 and looked great in white suits while doing it.
29: David Bowie: Heroes (design past Masayoshi Sukita)
David Bowie has at least five of the most iconic album covers of all fourth dimension. From the lightning bolt on Aladdin Sane to Ziggy Stardust, it's hard to pick. But the sublime strangeness of this David Bowie photo tells you everything you need to know about the creative madness of his Berlin period. The cover was memorably defaced by Bowie himself decades later.
28: Kate Bush-league: The Kick Inside (blueprint past Jay Myrdal)
The more commonly known US cover is prissy enough but makes information technology look like a conventional vocaliser-songwriter album and Kate Bush is anything but. We're referring to the original Great britain "kite" embrace that introduced the strangeness and sensuality that Bush was all about.
27: Janelle Monáe: Dirty Computer (design past Joe Perez )
The perfect cover for a cool, sensual and futuristic concept album, this captures Janelle Monáe's depth and mystery and is a beautiful piece of art in its own right.
26: Miles Davis: Bitches Brew (design by Mati Klarwein)
Since Miles Davis' Bitches Brew sounded like no other previous jazz albums, information technology couldn't look like one either. It took a German painter schooled in surrealism to create its mix of African folk art and psychedelia.
25: David Bowie: The Next Day (design by Jonathan Barnbrook)
Every fan did an immediate double-take when they saw Bowie'south act of self-sabotage here. By defacing the Heroes cover, Bowie found the about dramatic way of maxim "that was then, this is now".
24: Jethro Tull: Thick equally a Brick (design by Roy Eldridge)
Largely written by bandmembers Ian Anderson, John Evan, and Jeffrey Hammond-Hammond (with assist from Chrysalis staffer and former journalist Roy Eldridge), the famous newspaper cover of Thick as a Brick is full of cantankerous-references and cerebral wit – just like the music – and Anderson said it took but as much work.
23: Nirvana: Nevermind (design by Robert Fisher)
The image of a baby grasping at a dollar neb became one of grunge's coolest and most enduring symbols, an album cover that captured the mental attitude of Nevermind and the era. The babe in question, Spencer Elden, even recreated the photo 25 years later.
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22: The Who: Who's Next (pattern by Ethan Russell)
The iconic cover for Who's Next worked on two levels: beginning as a futuristic image of The Who against a monolith; and second, when y'all noticed their zippers and realized what the guys had been doing.
21: Uriah Heep: The Wizard's Birthday (design by Roger Dean)
This embrace is Roger Dean at his most vivid. When y'all walked into a record store, you could meet this album clear across the room.
20: Cream: Disraeli Gears (cover past Martin Precipitous)
Psychedelic album covers were an fine art class in themselves, and the explosion of colour (with the band looking suitably avuncular) made Cream's Disraeli Gears one of the definitive ones. The designer also wrote 1 of the album's near vivid lyrics on "Tales of Dauntless Ulysses."
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nineteen: Santana: Lotus (design by Tadanori Yokoo)
Y'all don't necessarily get a thing of rare beauty when y'all load a encompass with equally many fold-out panels and elaborate paintings as an xi-inch disc can hold, just Santana certainly did in this instance, thank you to famed Japanese designer Tadanori Yokoo. Recorded live during Santana'southward performances in Osaka, Japan, the full sleeve art is an amalgamation of Buddhist and Christian imagery, forth with Yokoo's signature pop art style.
xviii: 10cc: How Dare You! (design by Hipgnosis)
The ubiquitous Hipgnosis team outdid itself with this ultra-clever 10cc sleeve, which is not just inspired past one of the songs (the phone sex-themed "Don't Hang Upwardly") but is full of hidden gags, with the same people turning upwards in each of the four main photos.
17: XTC: Go two (design by Hipgnosis)
Another Hipgnosis chore, the famous anthology cover for XTC's Get 2 boasts a dense block of typed copy that taunts and messes with the album heir-apparent's caput. No wonder the clever lads in XTC loved it.
sixteen: Bruce Springsteen: Born to Run (design by Eric Meola)
It'south hard to pick i Bruce Springsteen embrace, when so many have ascended to iconic status. It could have just as easily been Built-in in the Us, with its Annie Liebovitz photograph and Bruce in a white t-shirt and blue jeans in front of an American flag. We decided to go instead with this kinetic photograph that captured the camaraderie of the band and the sense of stone'n'roll mission. While the album made an instant star out of Springsteen, the comprehend did the same for E Street Ring's sax man Clarence Clemons.
fifteen: Ramones: Ramones (blueprint by Roberta Bayley)
The cover of The Ramone'due south 1976 self-titled debut is pure punk rock in all its black-and-white grittiness. A good embrace became a keen ane the moment when a bored Johnny Ramone decided to give the photographer the finger.
14: Pixies: Surfer Rosa (pattern past Vaughan Oliver)
The Pixies' debut cover is sexy, sinister, and full of secret meanings, starting with a vintage-looking softcore photo that was staged for the cover shoot.
13: Yeah: Relayer (design by Roger Dean)
Roger Dean'southward fantasy paintings became as much a office of prog-rock iconography equally the music. He fittingly put his coolest album cover on Yes' most creative album, an icy winterscape that illuminates the album'south war-and-peace theme.
12: Frank Sinatra: Come Fly With Me (design past Jon Jonson)
Each one of Sinatra's Capitol-era album covers was absurd and classic in its own way, from the lonely scenes on the carol albums to the visual swagger on the swingers. The encompass of Come Fly With Me defenseless both Sinatra'due south natural charisma and the allure of the jet-prepare era.
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eleven: Patti Smith: Horses (pattern by Robert Mapplethorpe)
If Horses wasn't enough to make Patti Smith an instant icon of bohemian cool, the Robert Mapplethorpe album cover certainly was. Nobody e'er slung a jacket over their shoulder that well.
ten: Talking Heads: Little Creatures (blueprint by Howard Finster)
Howard Finster's uniquely Southern folk art was a perfect match for Talking Heads' dorsum-to-roots album (and for R.E.M.'s Reckoning around the same fourth dimension). While some of Finster'south work had a darker streak, for this album he appropriately chose sunshine and wonderment.
9: John Coltrane: Blue Train (blueprint by Reid Miles, photograph by Francis Wolff)
Near of the classic Blue Note covers were full of vivid graphics and exuberant photos (and lots of exclamation marks!). Non so with John Coltrane'south Blue Train, whose cool album cover photo and mood lighting marked it every bit a work to take seriously.
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8: Herb Alpert & the Tijuana Brass: Whipped Cream & Other Delights (blueprint past Peter Whorf Graphics)
This iconic album cover said it all about coy mid-60s sexuality, bachelor-pad fashion. Despite its daring appearance, if yous looked closely, the whipped-foam clad model was actually wearing a wedding dress.
seven: Kendrick Lamar: To Pimp A Butterfly (photo by Denis Rouvre, design by Kendrick Lamar and Dave Free)
Finding anthology art that captured the genre-pushing ambition of To Pimp A Butterfly was a tall guild, but Kendrick Lamar and TDE were up to the chore, as Chiliad dot assembled his hometown crew for a victorious political party on the White Firm lawn, stomping on the symbol of a weaponized criminal justice system.
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6: The Rolling Stones: Let It Bleed (design by Robert Brownjohn)
The Rolling Stones always had cool, attending-grabbing album covers. Just while Sticky Fingers has a bully story, Let It Drain was as unique and surreal. Taking its inspiration from the album's original title Automated Changer, the front has the album on a turntable stacked with all sorts of other things. We presume the mess on the backside happened subsequently someone pressed "start."
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5: Large Brother & the Holding Company: Cheap Thrills (design by R. Crumb)
Arguably the coolest 60s album comprehend of all, the art for Big Blood brother & the Belongings Company'south sophomore record was as well nigh people's introduction to the fashion of underground comic art perfected past R. Crumb. This style of art would exist associated with psychedelic music from here on out, though Crumb was a bit anti-hippie himself.
4: The Beatles: Sgt. Pepper'southward Solitary Hearts Club Ring (design past Peter Blake)
Peter Blake's pop-art assemblage on Sgt. Pepper'southward famous album changed record covers forever, and kept many of the states occupied for weeks trying to identify everybody at the ceremony.
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3: Elvis Presley: Elvis Presley (design by Robertson & Fresch)
RCA wasted no time in cleaning upwards Elvis, who'd await completely respectable on all future albums. Meanwhile, his debut allowed him to look similar the crazed hillbilly everyone'southward parents feared he was, captured in mid-song at the Fort Homer Hesterly Armory in Tampa, Florida. Which of class leads usa to…
2: The Disharmonism: London Calling (photo by Pennie Smith, design by Ray Lowry)
A rare case where a parody (of the above Elvis cover) becomes a work of fine art in itself. The effortlessly cool album embrace epitome of bassist Paul Simonon smashing his guitar practically screams stone'n'roll, but similar the music within.
1: The Beastie Boys: Paul'south Bazaar (design by Nathaniel Hornblower/Jeremy Shatan)
This beautiful, panoramic view of Ludlow Street in NYC on the album encompass of Paul's Boutique did everything possible to put you right into the Beastie Boys' world, making it look both funky and inviting. It also made it essential to own the original, fold-out vinyl.
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Looking for more? Discover the worst album covers of all time.
Source: https://www.udiscovermusic.com/stories/the-100-greatest-album-covers/
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